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Pine frame
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Rome and Emesa · AD 193–235
Framed print
Hanging print
Made to order and printed and framed in the USA. Produced in 1–2 business days, delivered 2–5 business days after that — 3–7 business days door to door. Free US shipping, tracked.
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Septimius Severus was born at Leptis Magna in Roman Africa in AD 145 and became emperor in 193. He had married into a priestly family of Emesa in Syria, and its women held the dynasty together. His wife Julia Domna was named Augusta and bore two emperors, Caracalla and Geta. After Severus died at York in 211, the brothers ruled together until Geta was killed on his brother's orders that December. Caracalla was killed near Carrhae in 217, in a plot organized by his praetorian prefect, Macrinus.
In 218 Julia Maesa, Domna's sister, raised her grandson Elagabalus against Macrinus, giving out that he was Caracalla's son. Elagabalus was a priest of the Sun god of Emesa. In 221 he adopted his cousin Severus Alexander, son of Julia Mamaea. Both of Maesa's grandsons reigned, and both were killed by their own soldiers, each with his mother: Elagabalus in 222, Severus Alexander near Mainz in 235. After 235 came half a century of short reigns and civil war.
The plate takes up an old Roman idea of the family tree, in which painted portraits of ancestors were joined by lines. Here the portraits are the tree, set on deep red and framed in black. The eye starts with Severus and Domna at the top left, follows their marriage line down to their sons, then crosses past Macrinus to Maesa's branch and the two young emperors at the bottom right, joined by the dashed gold line of adoption. The note box adds a detail from the Severan Tondo in Berlin, a family portrait in which one son's face has been erased, most likely Geta's.
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Black, dark wood or natural wood, FSC-certified. Framed prints arrive framed and ready to hang, hanging kit included.
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Framed prints: 200 gsm smooth matte paper, printed in 12 colors with fade-resistant pigment inks.
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Protects the print in transit and on the wall.
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Posters: 250 gsm museum-quality matte paper between pine hangers in black or dark wood. The magnets hold the print, so you can swap it any time.
This piece, to scale, above an 84-inch sofa. Pick a size, or a format and frame above, and the wall follows.
Sizes are the artwork's. Frames and hangers add a little around the edge.
Above a sofa or bed, art looks best at about two-thirds of the furniture's width, hung 8 to 10 inches above it.
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